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MP3 Release
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FLAC Release
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Regression
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Regression
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Wolf Eyes founding member Nate Young has taken the noise levels down several notches for this new solo outing, although the air of implicit, floating darkness cast over the whole affair is very much within his established oeuvre. You could neither classify Regression as a noise record or a death ambient record, instead the analog synth dissections and tape treatments more closely reference library music, horror soundtracks, or in its more austere moments, early electronic music. 'Trapped' offers little of the claustrophobia suggested by its title, although the continual woody knocking sounds and filthy oscillations do engender a sense of dread - speaking of which, 'Dread' happens to be the title of the next piece, whose creepy intervals and '70s sound designs bring to mind the Desmond Briscoe soundtrack to Nigel Kneale's The Stone Tape. 'Under The Skin' returns to the more esoteric, intangible sound designs that characterised the album's opening, writhing around in a spluttering, tactile fashion that's at once sonically rather beautiful but deeply sinister, modulating through grisly synthesizer gestures whilst more textural, percussive sounds flood through dub-style tape delays. Regression is an outstanding album, proving to be more delicate than a Wolf Eyes full-length has ever been, yet it's able to match the group's sonic gravitas - and their uncanny ability to make the extremes of music sound so incredibly seductive.
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